OHR/B is a cultural production agency that develops, manages and represents projects and individual artists in the realms of advanced music and audio-visual performances. OHR/B commissions new projects for leading venues around the world and collaborates with other agencies, promoters and artists in developing new performances, installations and events.
Moritz von Oswald: techno legend, electronic pioneer. One half of both Basic Channel and Maurizio, von Oswald is the most influential producers of electronic music in the last three decades. Firmly entrenched in the modern history of forward-thinking music, he is available to book either playing solo or for special projects and commissions.
Death in Vegas is the shapeshifting, highly influential band headed by psychedelic auteur Richard Fearless. Its storied history, spanning almost two decades, has seen the band incorporate a wide variety of musical genres from drone-heavy rock to synth-electronica and techno. The recently conceived live show takes the band in a moodier, dustier direction. Elemental, industrial and rhythmic (but not designed solely for dance floors) this show represents a major new stage for a band now firmly entrenched in the pantheon of British electronic acts.
The independent yet mutually influential careers of two of electronic music’s foremost path-breakers finally come together in this landmark collaboration. Covering all the ground between jazz and techno ‘Borderland’ gives free expression to two musical craftsmen of the highest calibre. In their live show, Juan Atkins and Moritz von Oswald present sequences from the album in a freely structured improvised session.
Porter Ricks is the sound project of Thomas Köner and Andy Mellwig. Their legendary releases on Chain Reaction (1996) and Mille Plateaux (1997) will soon be complemented by a new LP to be released on Tresor Records in 2017. Köner has been working extensively as a sound designer and artist – exhibiting at among other places the Centre Georges Pompidou and The Louvre. Mellwig’s other projects include collaborations with Kevin Shields of My Bloody Valentine and Pete Kember of Spacemen 3. Porter Ricks is undoubtably the central item in their musical careers, setting a high-water mark for experimentally tinged pulsating techno.
SUMS is a new collaboration between Kangding Ray, an electronic musician whose productions have appeared mainly on the raster-noton and Stroboscopic Artefacts labels, and Barry Burns, multi-instrumentalist and composer in the Scottish band Mogwai. On the one hand this collaboration evidences the growing influence of electronic music on Mogwai (particularly on their last album “Rave Tapes”), and on the other, the ongoing presence of rock (usually associated with a prefix, whether it’s post-, punk-, or art-) in Kangding Ray’s music. The specially commissioned project will involve these two genre-leading artists on a range of electronic and amplified instruments, as well as drumming wizard Merlin Ettore, to create a soundscape that blends elements of both their musical legacies.
This collaboration sees two long-serving masters of improvisation, experimentalism and technical exactitude present their first collective enterprise. The debut LP entitled 1/1 was recorded in 2013 at von Oswald’s Berlin studio for EmArcy (a division of Universal Classics). Their live performances seamlessly fuse electronics and live instrumentation, improvisation and precise sequencing, ambient soundscapes and twisting melodic experiments.
Joining Moritz von Oswald’s long-time collaborator Max Loderbauer in the latest configuration of the critically acclaimed Moritz von Oswald Trio is Nigerian drumming legend Tony Allen. Customarily referred to as the inventor of Afrobeat and described by Brian Eno as “perhaps the greatest drummer who ever lived”, it would be hard to find another musician who has exerted such a powerful and consistent influence on the direction of his chosen genre. The latest edition of the Trio provides the ideal platform for von Oswald to explore new dimensions in live improvisation and instrumentalisation in the august company of two of his musical peers.
Second Woman is a the collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv. Josh and Turk have been friends for over 17 years, having met in New Orleans in the late ’90s through mutual friend and future collaborator, Charlie Cooper. The duo have been working on music together on and off since that time, be it working on their own projects, video game scores, or tracks with other contemporaries. The concept of Second Woman began with the idea of taking tropes from footwork, dub, house, and techno, and twisting these ideas into something kaleidoscopically liberated from the grid, tweaking the perception of time and space within the audio field into something ASMR-inducing and ultimately satisfying to listen to. Their insane second release S/W came out on Editions Mego sublabel Spectrum Spools in 2017.
The live show Telluric Lines is the first action in a monumental project conceived by Jonas Kopp. For this special live performance, Kopp has engaged award-winning multimedia and video artist Rainer Kohlberger, who will provide live visuals to accompany Kopp’s sonic experimentations. The performance aims to represent – through sound and light – the energy of Mount Shasta in California, an inactive vulcano, where some spiritual devotees claim that the ground-based frequency evident at precisely that spot offers a secret key to open the chakras of the body and expand the consciousness.
Now based in Brooklyn, Drew McDowall was born and raised in Paisley, an area just outside of Glasgow, and was an important member of the UK punk and post-punk scene, most notably as a member of the bands Psychic TV and Coil. His work explores darkly subterranean themes and the new world that emerges from the disintegration of mental, physical, and emotional unities.
Visual artist, producer, world-conquering band leader; Richard Fearless is many things. Most of all, this moniker represents the label boss of Drone and a DJ at the top of his game. In his sets Fearless glides effortlessly between techno, industrial, and the more obscure reaches of an immensely deep and well-travelled record bag.
Upper Glossa is the group consisting of Caterina Barbieri and Kali Malone. This new project debuted at Berlin Atonal 2016 to massively positive critical acclaim, with The Wire picking out the performance as a festival highlight and describing it as “a trip deep within the mothership – hypnotic and beautifully disorientating”.
This unique collaboration unites German synthesiser genius Max Loderbauer and Polish experimentalist Jacek Sienkiewicz. Blending harmonic swells and treated synthesised drones with adroitly weighted melodic passages, this new project is a masterclass in expertly crafted ambient music from two of the genre’s leading exponents. This performance features specially developed live visuals from Pedro Maia based on the exploration of the materiality of film.
Caterina Barbieri is a composer and performer of electronic music now based in Berlin. An emphasis on minimalism in composition arises from a meditation on primary waveforms an exploration of the polyphonic and polyrhythmic potential of voltage-controlled sequencers. Repetition as a technique in both structural arrangement and analogue sound design lies at the core of her current sonic research. She has composed music for the Buchla Modular Synthesizer and has researched and produced music at the renowned EMS in Stockholm.
René Löwe is one of the earliest and most influential protagonists of the sound that for the past decades has driven Berlin. Mainstay of Berlin institution Hard Wax, René is also known for his role in Scion and his collaborations with Paul St. Hilliare aka Tikiman.
Austrian based Claudia Anderson is one of the most exciting producers to break onto the scene, with recent releases on Tresor Records and Marcellus’ Singular Records. Her DJ sets are equally as subtle, precise and explosive as her produced work and she is quickly making a name for herself as a future classic.
Pedro Maia is a Portuguese-born filmmaker working mostly within the realms of analogue film, exploring the medium’s potentiality, and expanding the aesthetic and technological “heritage” of the tradition. His works have been presented in galleries such as Museum of Contemporary Art Tokyo, Internationale Kurzfilmtage Oberhausen, Rencontres Internationales, Armenian Center for Contemporary Experimental Art, MACBA Barcelona, Edinburgh International Film Festival, among many others. Since 2004 he has been developing live visual concepts for audio artists, manipulating images in real time and interacting with sound, which has involved collaborations with musicians such as Panda Bear, Lee Ranaldo, Fennesz, Vessel, Craig Leon, Demdike Stare, Sandro Perri, Shackleton, Jacaszek, Tropic of Cancer among many others. He is available for new commissions in both performative and installative capacities.