‘Mecanology in 4 Rooms’ (2015), World Premiere
Kinetic sound producing sculptures, amplifiers
Pierre Bastien’s long-standing practice has involved transforming regular objects into dynamic rhythmic machines. In this site-specific formation he lets his percussive creations inhabit the labyrinthine basement of Kraftwerk.
‘not even nothing can be free of ghosts’ (2015), World Premiere
‘moonblink’ (2015), Panorama Premiere
‘humming, fast and slow’ (2013), Berlin Premiere
With these three pieces, presented at Berlin Atonal together for the first time, on a site-specific panoramic screen built specifically for this purpose, Kohlberger’s singular approach to an artistic practice living at the quivering border between the analogue and the digital gets its most comprehensive airing to date. Kohlberger’s work investigates the self-generating and self-destructive power of the automatic process at the same time as it confronts our own abilities for perception and misperception. Superimposition, phasing, fuzziness, noise and frequencies of sight and sound at the threshold of human sense, combine to to stimulate and irritate the perceptual field.
‘Wasteland’ (2015), World Premiere
5 x 16mm Loops, degraded film
Maia’s piece Wasteland refers to a place of ambiguity and indeterminacy between life and death in which narrative and temporal logic are suspended. Built from the waste material produced by an analogue film lab, this installation aims to re-materialize leftovers created by the film development process. This degraded film material contains within it the seeds of its own destruction.
‘Blueprint’ 2015, German Premiere
The work examines the notion of blueprint as the intersection of ideation and architecture, a map that leads from formlessness to form. It explores the view of architecture as both the endless repetition of the cosmic order, and as a shelter from the infinite, a human construct that brings the capriciousness of nature into perspective. With Blueprint, Lemercier translates the immateriality of space, architecture, and causality into a choreography of structural elements. The installation is formed from a central monolithic tower that is flanked by two large screens and activated by light projection and sound. Together, these tell a story of the cosmos and architecture, climaxing in an anamorphosis. The audio component comprises contrabass materials recorded at EMS in Stockholm by Yair Elazar Glotman which have been processed, augmented and fused with electronics by James Ginzburg in his Bristol studio.
Commissioned by STRP Biennale, Eindhoven
Artist production – Juliette Bibasse
‘Susurrus Lights, Aggregate IV’ (2015), World Premiere
Sound responsive fluorescent tubes, microphones, amplifiers
In this site-specific installation conventional fluorescent tubes are repurposed to become the primary actors in a material self-generating system. Their own sounds are microphoned, amplified and fed back through analog circuitry to trigger over tubes who respond in real time to the pulses of their neighbours. What arises is a self-feeding machine that remains fragile and unpredictable as it interferes and interacts with the architecture of its surroundings.
‘Dark Flow’ (2015), World Premiere
Viscous liquid, pumps, projections
Transforma’s new site-specific work consists of a liquid portal in a constant movement. Playing with the idea of dimension(s) by discovering similarities in cosmic and microscopic motion, the work is as much an experiment in physics as it is a mystic shrine. To enhance the effect of scale, close up views of the installation will be filmed and projected throughout the festival on different screens in the exhibition space.